Records don't mix themselves. Behind every song you love is an engineer making a thousand small decisions — where the vocal sits, how hard the drums hit, when to leave something alone. The Mix Report exists to talk about those decisions.

What we cover

We publish practical, working-engineer writing on the craft of making records:

  • Mixing — techniques, workflows, and the reasoning behind the moves
  • Mastering — loudness, translation, and finishing records with intent
  • Monitoring & rooms — hearing your mix accurately, wherever you work
  • Gear & software — honest perspectives from people who use it daily
  • Interviews — conversations with the engineers behind the records

Who it's for

If you've ever soloed a snare at 2 a.m. and wondered whether it needs more 200 Hz or less of everything else, you're in the right place.

The difference between a rough mix and a record is rarely the gear. It's the hundred small calls made by someone who knows what they're listening for.

New articles are on the way. Subscribe to the RSS feed and check back soon.